Continuing our series on graphic design in letterhead, this installment features stationery from zoos and aquaria in the western United States during the mid 1950s – early 1970s. (Letterhead from the late 19th and early 20th centuries is the subject of another post!)
Which is your favorite? (You can right-click on the images to open them in new tabs and examine them more closely.)
Genevieve Havemeyer-King, the National Digital Stewardship Resident here at the WCS Archives, has recently published a two-part post at the Library of Congress’s digital preservation blog, “The Signal”:
Genevieve’s series of blog posts documenting her time at WCS continue here with a discussion of the complexities of preserving geospatial data and an interview with Frank Donnelly, the GIS Librarian at Baruch College (CUNY).
Check it out!
Why? According to William Beebe, why was “the question which makes all science worthwhile.” Why, for instance, do tinamous of the genus Tinamus have rough skin on their lower legs while tinamous of the genus Crypturus have smooth skin? Why do hoatzin populations seem to gather in nodes rather than being found throughout tropical forests?
We are so pleased to announce that we have received a grant from the New York State Program for the Conservation and Preservation of Library Research Materials to rehouse photographic negatives dating back to the founding of the Bronx Zoo and the New York Aquarium.
The $16,674 grant will enable us to rehouse glass plate and film negatives that would otherwise be susceptible to damage and deterioration. The images, dating from the Bronx Zoo’s founding in 1899 through approximately 1930, will be cleaned and properly rehoused for long-term preservation. Although the entire collection requires rehousing, this project focuses on the first 12,000 negatives in the collection of more than 70,000.
Three-toed sloth at the Bronx Zoo around 1907. WCS Photo Collection
For more on the grant and additional images from the collection, please see the WCS Newsroom, and we look forward to sharing news about the project as it progresses!
Genevieve Havemeyer-King, the National Digital Stewardship Resident here at the WCS Archives, has another post on the NDSR-NY Program blog:
http://ndsr.nycdigital.org/in-with-the-old/
This time Genevieve describes some of the challenges of selecting born-digital materials and transferring them to the Archives for the NDSR pilot project.
Check it out!
In the 20th Century, before the internet became ubiquitous, an organization’s written correspondence was one of its primary points of contact with its partners, suppliers, and the public. Accordingly, stationery became an important medium for graphic design. The Wildlife Conservation Society Archives contains numerous pieces of correspondence with striking, beautiful, or amusing examples of letterhead design.
We are very pleased to report that we have received a Preservation Assistant Grant from the National Endowment for the Humanities! This grant will support a general preservation assessment of the WCS Archives film collection, which contains approximately 2,200 film prints created by WCS zoo, aquarium, and field conservation staff over the twentieth century. A preservation consultant will conduct a formal assessment of the film collection and its storage environment in order to inform the Archives’ goals of creating a sustainable preservation plan for the collection and making it accessible.The assessment will support the Archives’ future ability to budget and plan for the collection’s rehousing and stabilization and determine options for the collection’s future accessibility.
We look forward to keeping you updated as the assessment gets underway this year!
For more on the NEH’s recent awards announcement, see here.
We are delighted to report that the WCS Archives has been awarded $60,237 from the National Historical Publications and Records Commission (NHPRC) to process 13 important collections from the Archives. Among these are New York Zoological Society (NYZS) President Fairfield Osborn records and World’s Fair records, 1935-1967; Bronx Zoo General Curator Lee S. Crandall records, 1903-1969; NYZS Conservation Department records, circa 1969-1979; and NYZS Education Department records, circa 1967 to 1982.
In short, this project’s goal is to provide access to unprocessed and unexposed collections that document the mid-twentieth-century American environmental and wildlife conservation movements; reveal the evolution of exhibit design and animal care in zoos and aquariums; and provide exceptional glimpses into both zoo- and conservation-based activities in the United States. Together these collections cover pivotal events in the history of WCS that also represent important moments and trends in the cultural and scientific histories of New York City, the US, and the world.
The project will run from June 2016 to June 2017, and we look forward to sharing news and finds with you as the project progresses!
This post was written by Kimio Honda, Studio Manager in WCS’s Exhibition and Graphic Arts Department. This is part 2 of 2 posts on eagle sculptures at the Bronx Zoo and beyond.
Beyond the eagles I described in my previous post, there are a few other, though less visible, eagle sculptures at the Bronx Zoo. These belonged to the building behind the current Birds of Prey exhibit that was originally known as the Winter House for Eagles, built in 1912. (You can see original plans for the building on the NYC Design Flickr page.) Curator of Birds William Beebe took the building as a research space as early as 1914, and it later served as the headquarters for his Department of Tropical Research. The Beebe Lab, as it was known, later became the office for the Publications Department, and house now Digital Programs and Media Production. Continue reading
Our National Digital Stewardship Resident, Genevieve Havemeyer-King, has another post on the NDSR-NY Program blog:
http://ndsr.nycdigital.org/amia-2015-some-highlights-takeaways
This one focuses on her experience at the Association of Moving Image Archivists’ 2015 annual conference. As Genevieve notes, of particular interest to WCS’s mission–and our NDSR project–“was Linda Tadic’s (Digital Bedrock) talk on the environmental impact of digital preservation.”
Check it out!