The advantage of working with highly customizable, open-source tools is the ability to tailor your workflow to the specific needs of your institution or collection. The disadvantage is that you have to customize your workflow, and by that you may find yourself testing configurations in seemingly endless fashion. With so many manually entered steps along the way, a single mismatched configuration can throw pieces of your processing workflow into a tailspin and leave you, hoping, in bouts of desperation, for a one-size-fits-all magical turnkey solution to all digital archival objects for their forever-and-ever-nothing-will-ever-be-lost deep storage.
An interesting feature of the records of former New York Zoological Society (NYZS) President Fairfield Osborn Jr. is his creative output: the numerous speeches, articles, books, and other such works he produced during his tenure as President at the Society, from 1940 to the late 1960s.
Ugo Mochi is not a household name. But his artwork is known and admired by many. Mochi was best known for his animal silhouettes. Created from paper with details to scale, these silhouettes are Mochi’s greatest contribution to art as well as to the study of the natural world. [UgoMochi.com, history section, accessed 2/1/17]
The New York Zoological Society’s (now the Wildlife Conservation Society) Bronx Zoo was a favorite spot for Mochi. He used Zoo animals when creating his most famous book, Hoofed Mammals of the World (1953). A few years after his death in 1977, Mochi’s daughters donated to the Zoo the 40 original plates used in the Hoofed Mammals book. WCS adapted some of his silhouettes in logos and exhibit graphics.
In April 1939, the New York Zoological Society (NYZS) presented their Zoological Wonders pavilion to the public at the very first New York World’s Fair. The 1939-40 Fair brought highlights from the New York Zoological Park in the Bronx and the New York Aquarium in Manhattan to Flushing Meadows in Queens. In this month’s post from our NHPRC grant project, we are presenting a selection of materials unearthed from records from the NYZOs Corporation, a former NYZS subsidiary created to coordinate the Society’s participation in the 1939-1940 World’s Fair. Fairfield Osborn Jr., the Secretary of the Society’s Executive Committee at the time, managed that participation in his last task before becoming the Society’s President in 1940. As such, the World’s Fair materials illustrate the beginning of a new era at NYZS.
The new year and holidays brought with it gifts and offerings for our legacy digital project!
Upon returning from our holiday break, we were greeted with the arrival of our TEAC FD-55GFR 5.25″ floppy disk drive along with Device Side Data’s FC5025 USB 5.25″ floppy controller.
We decided on purchasing a 5.25″ floppy disk drive of off Amazon and a FC5025 controller. The FC5025 controller is essentially a circuit board that liaises between your legacy 5.25″ floppy drive and a modern computer running a contemporary operating system. These two components are the essential building blocks to getting data off of 5.25″ floppy through disk imaging because they interface between an older, circa-1981 floppy disk drive and a modern computer. Maryland Institute for Technology in the Humanities’ (MITH) Vintage Computer site does an excellent job of breaking down the FC5025’s connections and instructions for imaging floppies. The card comes with drivers to enable connections to Windows (98, 7, 8, XP), Mac (OS X), and Linux operating systems.
The vast majority of the documents in the WCS Archives are written by people speaking as themselves. They may be speaking as representatives for a larger collective, such as the Society, or a professional organization, or even–in the cases of some Congressional testimony transcripts–as representatives for the zoo profession as a whole. Every now and then, however, we come across examples of people speaking not in their own voices, but in those of animals.
At this time of year one may ask the question: “What do the New York Zoological Society (NYZS) and Rockefeller Center have in common?” As it turns out, the Society and this long-standing New York City gathering place and holiday beacon have a historical relationship–with a festive flavor. Continue reading
“Generations are growing up without any natural contact with wild creatures; a new public opinion concerning wildlife and wild environment is arising unfettered and unguided by fact or experience. Except at the Zoo, the opportunities to know or even become interested in wild creatures are largely vicarious ones for many city dwellers. The opinions of these people will shape the future of wild lands and wild creatures.” -William G. Conway. General Director, 1966-1999. New York Zoological Society. (Gathering of Animals. William Bridges. 1974. Page 500.)
Frequently here at WCS Archives, I find myself reflecting on public experiences and encounters with the natural world, and the challenges of conveying rural and field perspectives and experiences in an urban context. It is particularly true on Wednesdays, when admission to the zoo is free, and streams of families, teams of teens, as well as school groups with tethered young potential zoologists, naturalists, and conservationists come to visit, many for the first time. Continue reading
Caroline Gil here, Digital Project Archivist for the Leon-Levy Foundation-funded Legacy Digital Media Project at the Wildlife Conservation Society. My initial weeks here at the WCS Archives have consisted of inventorying, assessing, and developing an all-encompassing, forensically sound plan for imaging and conserving approximately 1,000 pieces of digital media. For this pilot project, WCS Processing Archivist Leilani Dawson selected pieces of removable media, including optical, magnetic and spinning disk hard drives, which encompass about 393 3.5” floppy disks, 390 pieces of either CDs and DVDs (in all their configurations, i.e. CD-R, CD-RW, DVD-R, DVD +R etc), 46 Mini-DV video tapes, and half a dozen external hard drives—really cool looking, heavy ones circa the early aughts. Continue reading
As we reported back in August 2015, the WCS Archives received a Sustaining Cultural Heritage Collections grant from the National Endowment for the Humanities. We’re pleased now to report the completion of the project, in which we developed a Conceptual Preservation Design Plan for a new WCS Archives space. Situated in the Bronx Zoo’s Heads and Horns Building, this space would include a large collections storage area to provide safe, sustainable preservation conditions for our historical materials, proper fhich we currently lack) to host those consulting the collections as well as classes and small lectures, and a small exhibition area to showcase WCS’s historical treasures to invited audiences. Continue reading